
I'm not a man of religion, but I do have my own personal rituals that I tend to follow at Christmas beyond the cards and the presents and the meals with both close friends and strangers. "Bad Santa" needs to be watched, for example, and the "Bad Santa" drinking game may be attempted and then abandoned as a young fool's folly completely inappropriate for the more mature reveller. "It's A Wonderful Life" would then need to be enjoyed as something of an antidote, and something of a complimentary piece too.
Where comics are concerned, the various Christmas Spirit tales are always worth indulging in, as is of course so obvious a matter that it hardly bares thinking about. But the one superhero story that I always make sure I read over the holiday season is Alan Brennert, Dick Giordano and Mark Waid's "Should Auld Acquaintance Be Forgot". It's a tale that appeared just once, in 1989, and to my knowledge, it's never been reprinted, which is a genuine shame, for it's a fine and moving story that was very well-told indeed.

If you've never read the story, a quick net search will turn up its pages. And it's a tale that's well worth reading for itself, regardless of controversy or continuity implants. It's nominally a Deadman story, in which the ghost of Boston Brand despairs that all his attempts to help others go unacknowledged. Christmas, we're shown, is a very bad time to be a lonesome, homeless ghost. As his sadness and isolation overwhelms him, he's approached by what seems to be a young woman who can not only see him in his spirit form, but who clearly knows him, though he can't remember her. It swiftly becomes obvious to the reader, though not to Brand, that this is Kara Zor-El, the slain Supergirl, who like Deadman is walking the Earth to help others wherever she can. Unlike Boston Brand, however, Kara never once existed in this universe. Reality has been re-written so that even her vital and fatal contribution to the defeat of the Anti-Monitor has been expunged from everyone's memory, bar that, we must assume, of the insane Psycho Pirate, as Grant Morrison would later emphasise. Supergirl is a no-person, a shade of a hero from a destroyed existence. In that, "Should Auld Acquaintance Be Forgot" is a story which deals so exquisitely with the matter of souls caught up in the recasting of comic-book realities that it bears comparison with the far better known "The Nearness Of You", the deeply moving "Astro City" take on the subject by Kurt Busiek and Brent Anderson, from where the scan below comes;

It's not that Kara shares the details, let alone the facts, of her identity and her lonely situation in so many words to Boston. It's left to the reader to put her words into context, which helps explain something of how powerful this story is. Because those of us who grew up with the original Supergirl are compelled by this story to recognise what a splendid character she was, and what a daft decision it was to remove her from continuity. In comic-book terms, it was, and remains, a tragedy.
The Kara of Mr Brennert's tale is something of a stern figure bearing up to her absolute isolation with immeasurable bravery and determination. She obviously comes from a far more traditional, even patrician, culture than was often recognised in her latter-day appearances, and yet such a reading is perfectly in keeping with her Silver-Age adventures. And by showing what a strong and self-sacrificing woman Kara Zor-El had remained even after her death, even while utterly alone in all of the DCU, her first appearances were cast for me in a somewhat different light. For

it's very easy to see the Supergirl who first appeared in Superman's life as something of a shrinking violet, a quiet, almost mousy girl, happy to hide in the shadows and to serve as her cousin's invisible, unacknowledged, emergency replacement. But what once appeared to be a portrayal of a subservient girl framed very much in the light of traditional gender roles now seems, as Mr Brennert's story casts its own version of her character backwards into Supergirl's past, to be something very different indeed. For this Supergirl was never weak, but she was modest, and she was never content to play a second-class role so much as to fulfil her part in life as her Kryptonian culture trained her to do. There's a dignity in her restraint and a tremendous moral strength in her sense of mission, and these positive ethical qualities are even present in the slight edge of exasperation she displays as she lectures Deadman on his duties to others;
"We don't do it for the glory. We don't do it for the recognition. We do it because it needs to be done. Because if we don't, no-one else will. And we do it even if no-one knows what we've done. Even if no-one knows we exist. Even if no one remembers we ever existed."

The Silver-Age take on Krypton was a clearly patriarchal society, but Kara came from the planet's elite, and I've always imagined that the women of her class had the relative independence and power often shown by Roman women during, for example, the last days of the Republic and the early days of Empire. Kara has the steel and determination of the natural-born minor aristocrat, but none of the snobbery or self-interest. That she should have come from such a tragically sad and alien environment, have suffered to such extremes, and yet remained so very admirable within the terms of her adopted world's common culture too, merely adds to my regard for her. She is obviously made of a far harder stuff than even a Kryptonian's skin under the rays of a red sun.
So, I can say without reservation that my favorite superheroine of all time, and perhaps my favourite superhero of all in the company of the Lee/Ditko Spiderman and Will Eisner's Spirit, is Kara Zor-El, and Christmas is undoubtedly her season. In a world where so many folks are seemingly far more obsessed with receiving than giving, the Supergirl of Mr Brennert and Mr Giordano and Mr Waid does nothing but give to a world which cannot even remember that she ever existed, let alone that she died to save them all.
My heroine.

Have a splendid day, and "Stick together!"
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Wonderful! I've been looking for this one myself to read lately!
ReplyDeleteIn return, maybe I'll be the first to point you to Madrid's post on her role in CoIE for the memorable moments ballot:
http://dcwomenkickingass.tumblr.com/post/2405911059/mmsupergirl
Merry Christmas!
Hello Ragnell:- thank you! And I know you'll be moved by the tale when you do come across it.
ReplyDeleteThank you for the link, which I would heartily recommend. Mr Madrid's article is touching and well worth the reading.
In closing, thank you for your kind words about this blog on your own fine site. I tried to think of a way of expressing my appreciation, but my words always came out as self-important. Still, this is my blog and I can look guileless here. Thank you very much!!
I always sneer when I read people saying things like "that comic made me cry" but... this piece of writing touched me so much much I got actual chills down my back and I might be crying now if writing this didn't stop those tears from coming out because I've sidestepped them, as it were.
ReplyDeleteYou reminded me that I used to really love Supergirl for all the reasons you did and that ironically enough, I forgot those reasons like I was forced to forget her after DC's stupid rewriting. I forgot how betrayed I felt and now you've brought it all back. Fuck, I AM crying now. Maybe it's just because it's christmas.
I wish I was brave enough to write my name by this, but I feel like the biggest idiot ever so I just can't. But thank you for writing this even if you've made me utterly desolate right now. It was sort of worth it to bring back what *passion* felt like when I was younger and uncynical and could just read comics and *live* them.
Hello there:- I very much appreciate your comment and I think it helps shows how fine the work of Mark Waid as an editor was during this period, especially when working with writers as fine as Mr Brennert. He never seemed to buy in for a second into the idea that superheroes could be subject to continuity re-writes which threw away their long histories in the name of searching for new audiences. And I think he can be proven right by the fact that the work he supervised during these years, and then wrote himself a few years later, as in his classic Flash run, often stands today as moving and in many ways "definitive", whereas much of the reboots have, for all the hard work and good intentions of the folks involved, fallen by the wayside.
ReplyDeleteI too "used to really love Supergirl" and as I've grown older, much that seemed tame and quiet about the character now seems to be a marker of a distinct personality with her own values and strengths. And Mr Brennert's story very much helped me understand that.
Thanks for writing and sharing your thoughts and feelings, and I do hope you're feeling splendid this morning.
I gotta say, "The Nearness of You" is one of those stories that makes me want to write an essay about its brilliance. Busiek crams more emotion into that story than even seems possible.
ReplyDeleteHello Arune:- I absolutely agree with you about "The Nearness Of You", and I used it here to show my very high regard both for it and "Should Auld Acquaintance Be Forgot". Both of them are very important stories for the superhero genre, as well, of course, as well being very fine stories in their own right. They're both about the readers of superhero comics too, aren't they, and of how WE miss those characters who've been re-cast, or worse ...
ReplyDeleteA friend of mine and I got into a discussion, perhaps argument, about the way that Comics Fans treat the super-heroine.
ReplyDeleteI see the Comic Fanboys as often being rather sexist, with books as good as Power Girl and Zatanna often suffering in sales even though they are such well done pieces of modern super-hero fiction. Reading your words reminds me, of course, that there are many of us out here who appreciate and love the super-heroes and super-heroines, and are not so caught up in macho chauvinism that we refuse to buy a Wonder Woman comic for fear of being seen as unmanly.
Your take on the pre-Crisis Supergirl is awesome, and it reminds me of the sadness I felt when DC felt the need to destroy the multiverse as it existed then. Sure, I do like a world in which Superman, Captain Marvel, and Blue Beetle all exist, but I miss the Multiverse and its infinite possibilities.
With the Multiverse sort of restored, I hope DC is going to take the opportunity to explore it more fully, if for no other reason than that all those possibilities are worth exploring.
The current incarnation of Supergirl has, for some time now, been a great read, and while she does not have the kind of personality you so lovingly describe, she is being portrayed as a teenaged girl, learning, exploring, making mistakes that can, in her line of work, have terrible consequences, and I hope that the character can continue to receive that kind of attention.
Personally, I want a miniseries featuring Supergirl, Donna Troy, Mary Marvel (she needs to come back), and Batgirl.
The girls deserve to be read, if only because in their books, of late, some of the best writing and character work has been happening.
Hello Hector:- first off, let me agree 100% with your views on the current incarnation of Supergirl. I believe that a great deal of laudable work has been on that character, visually as well as in terms of personality, so that what once seemed at times a rather shallow and worryingly sexualised character is now a fascinating and worthwhile superhero. I too hope that things can continue in this fashion, and I'm glad that I'd didn't seem to be arguing that the current-day continuity ought to be removed to incorporate the first Supergirl.
ReplyDeleteAs you obviously are, I'm deeply concerned with so much of the audience's inability to empathise with female characters. It's something which some creators seem to share too, and that's so disturbing. And yet there are so many positives in the market too. Things aren't nearly good enough, and yet there's a great deal of value in the marketplace.
Like you, I feel that this genre has to crack this gender problem. If it doesn't, it'll never escape the ghetto of an ever-decreasing core audience of fanboys. I'd love to see more female creators working in the genre, and one particular dream project that I'd sponser were I to win a billion and buy myself a comic book company would be Ms Simone and Ms Scott on the Justice League with a brief to use whoever, male, female or otherwise, they wanted to. And if that were Supergirl, Donna Troy, Mary Marvey and Batgirl for awhile, I'd be delighted.
Thank you for your kind words. Writing this piece really helped me grasp quite how much I both admire and like the original Supergirl. I'm glad to know, as the comments above have so kindly indicated, that I'm by no means alone in this stance.
Lovely piece, Colin. I'm OK with saying that that story had me teary, it connected. Silver Age Supergirl was my favourite heroine (and Sterling Gates and Jamal Igle have indeed done a lot to give the current version her sheen of goodness and smarts).
ReplyDeleteIs it true that the story got Mark Waid removed from the book? Given that top editor Dick Giordano drew it, how could that be true?
And a Happy Christmas Colin, and co-readers.
Hello Mart:- I do hope the season has gone as well it seemed to be doing on your X-Mas day post, if not, of course, even better!
ReplyDeleteI've read in various places that Mr Waid was removed as a DC editor after this piece was published, and that it was the last in a sequence of problems as perceived by significant figures in the company. Of course, who knows the degree of truth in net-talk, but I have always been fond of Mr Waid for the campaign against post-Crisis continuity he ran on his watch.
Very nice!
ReplyDeleteThe comments have made me identify again with that feeling of "open possibility" that -for me- were the comics of my youth. When I would pick something up off the spinner rack in the corner drugstore I didn't need to know the "before." To my mind the stories once seemed more focused on making the reader crave the "after."
Sure, continuity provided the nods, winks, and easter eggs but it wasn't the hook for the new readership.
That's why I still gravitate to the material of the mainstream heroes (the archetypes) but placed outside the ongoing set-pieces within the universe. The Elseworlds / what-ifs allow talented writers to trade on the standards we can all agree on.
Excellent example: The game changing "Planet Hulk" begets the forgettable power ranking / moralizing exercise that is "World War Hulk" with all attendant tie-ins (Ant-Man, Heroes for Hire????) PH was a GREAT what-if in everything but name and I ask what creative good came of dragging Hulk back to Marvel proper?
"Oh it's the Hulk! He's mad and all...smashy! And eventually Red and also Jeph Loeb. Aiieeeeee!"
Free the comic book! Free it, I say! Cheap, disposable, unforgettable entertainment!
Generally Positive Sidebar: One of the more hilarious gems of my collection is a 1984 pre-crisis Supergirl doing a fasten your seatbelt public service comic in conjunction with Elizabeth Dole (then Secretary of the TSA) and Honda of America.
http://blogintomystery.wordpress.com/2010/09/08/buckle-up-american-honda-presents-dc-comics-supergirl/
Steve: "Don't you know it's better to be thrown clear of an accident?"
Oh, Steve...
Hello Smitty:- I too have been heartened by the comments here, including of course that by your own good self. And I agree with you that there's something to a more innocent approach to enjoying reading about superheroes. I think it's woefully easy to overstate the importance of what happens to a character in a book, and the net is always full of folks, including sadly my own self I suspect, who take things far too seriously.
ReplyDeleteBut we shouldn't forget that we can fall quite rightly in love of sorts with characters and that it's quite normal to do so. Whether it's Elinor Dashwood or Sherlock Holmes, Clark Kent or Inspector Morse, there's nothing wrong with being touched by particular fictional figures. And I think there are times when it's absolutely right to say "You know, I was terribly fond of the original Supergirl", and own up to missing a character who affected us, particularly when we were younger.
I agree with you to a large degree on continuity, though I do believe that there are writers who deal very well with continuity and ought to be always allowed to play with in its sandpit; Ms Simone, Mr Cornell and so on.
But continuity-free is always fun too. I fully agree. Strange, mind you, that that Supergirl is supposedly out-of-continuity, and yet its power relies on it being very much a "true" story of Kara's life beyond death.
Oh, dear Steve indeed ... a fascinating reference, Mr S, but that Steve .....
Thanks for a thoroughly cheering comment Smitty which I've come to at the end of a long day. My very best to you!
Thanks for the kind words about "Should Auld Acquaintance," and the thoughtful speculation about Kara's Kryptonian heritage. Can't say I thought it out in that much detail when writing the story, but it's consistent with my view of the character: indeed a strong and noble woman. Even though, as you point out, the story has never been reprinted, it's nice to see that it lives on in the memories of readers like yourself.
ReplyDeleteHello Mr Brennert:- I'm tremendously pleased to have been able to pay my respects. My best to you, sir.
ReplyDelete