Tuesday, 15 May 2012
On Kirby & Simon's "Boys' Ranch"
There's a sense in which Boys' Ranch is the comic book equivalent of the Antikythera Mechanism. At first glance, Kirby and Simon's tales of the Native American-raised Clay Duncan and his youthful, feisty charges seem to be nothing more remarkable than a superior Western comic from the turn of the Fifties. Yet it quickly becomes obvious that there's a great deal more of substance and significance going on between the covers' of Boys Ranch than at first appears possible. Indeed, in many ways, the first 3 issues of the title don't belong to the period at all. Cloaked in the form of a kids gang comic, Kirby and Simon were producing fundamentally complex and mature stories which were in several key ways as literate and moving as any frontier movie epic of the period by the likes of Ford and Hawks. As such, there's a sense of cognitive dissonance generated by looking at pages which appear to be perfectly of their age while clearly expressing qualities which the American monthly comic would rarely again equal, let alone exceed. This week's piece in The Year In Comics series over at Sequart - find it here - is my attempt to touch upon just a few of the issues which make Boys' Ranch such a fascinating and even somewhat shocking read.
Those who still choose to believe that Jack Kirby was never a comics writer of the first rank, or who somehow manage to avoid considering how important social justice was to his work throughout his career, really do owe it to themselves to track down the collection of the series issued by Marvel in 1991.
Put simply, any list of the finest dozen or so American comic-books ever which doesn't include Boys' Ranch probably isn't worth paying attention to, while any such ranking which doesn't have the justly famous Mother Delilah - from #3 - in one of its first few places can be safely ignored. Of course, you already knew that, but we do live in a culture in which most everything from the past is easily accessed and yet also so strangely ignored. It can't hurt to add even the faintest and most redundant of voices to the chorus which celebrates the preeminent virtues of Boys' Ranch. And so I have.
Tomorrow, and I say this with a nervous heart, the third of the Reader's Roulette nominations has arrived this morning through the letterbox, meaning that - no, really - Scooby-Doo #21 is to be the TooBusyThinking review for Wednesday 15th May.
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Labels:
1950,
1951,
Boys' Ranch,
Jack Kirby,
Joe Simon,
The Year In Comics,
Western
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I've read many good things about Mother Delilah over the past several years, but I've never read the story itself. Has it been reprinted anywhere other than that 1991 hardcover Marvel collection?
ReplyDeleteHello Bob:- Mother Delilah is indeed a wonder, although I prefer issue 2 myself. Wiki declares "Some Boys' Ranch selections appeared in 2009 Titan Books anthology, The Best of Simon & Kirby (ISBN 1845769317)." Which stories they might be, I don't know. I can't find anything on the net that's specific. But I'd be amazed if Lead Will Fly At Sunset & Mother Delilah weren't chosen. Good luck.
DeleteI borrowed that book from the public library a few months ago. Mother Delilah wasn't in it. There was only a Clay Duncan solo story, but I can't quite recall what it was about.
DeleteHello Bob:- Thank you for the information, though it is a real shame. I wondered if the publishers would throw away the best of Boys' Ranch on a compilation, and I suppose the answer is "no". I presume the tale is Clay's origin from - I don't have my copy to hand - I think the first issue. It's a fine tale in itself, but not one of those which marks BR as an absolute classic.
DeleteI looked up The Best of Simon and Kirby in the library's online catalog. It looks like there were two stories from Boys Ranch. Here's a list of the contents:
DeleteCaptain America and the Riddle of the Red Skull (from Captain America Comics #1, Mar. 1941)
The Vision (from Marvel Mystery Comics #14, Dec. 1940)
The Sandman: The Villain from Valhalla (from Adventure Comics #75, Jun. 1942)
Killer in the Big Top (from Stuntman Comics #1, Apr. 1946)
Assignment: Find the King of the Crime Syndicate (from Fighting American #2, Jun. 1954)
Come into my Parlor (from Adventures of the Fly #1, Aug. 1959)
Solar Patrol: The Tree Men of Uranus (from Silver Streak Comics #2, Jan. 1940)
Blue Bolt (from Blue Bolt Comics #4, Sep. 1940)
The Thing on Sputnik 4 (from Race for the Moon #4, Sep. 1958)
Satan Wears a Swastika (from Boy Commandos #1, Winter 1942)
The Duke of Broadway: My City is No More (from Black Cat Comics #5, Apr. 1947)
Booby Trap (from Foxhole #2, Dec. 1954)
Weddin' at Red Rock! (from Western Love #1, Jul. 1949)
The Savage in Me! (from Young Romance Comics #22, Jun. 1950)
Trapping New England's Chain Murderer! (from Headline Comics #24, May 1947)
Mother of Crime (from Real Clue Crime Stories, Vol. 2, No. 4, Jun. 1947)
The Case against Scarface (from Justice Traps the Guilty #1, Oct. 1947)
Apache Justice! (from The Kid Cowboys of Boys Ranch #2, Dec 1950)
Remember the Alamo! (from The Kid Cowboys of Boys Ranch #6, Aug 1951)
Doom Town (from Bulls Eye #4, Feb. 1955). Oh! The horror! : Introduction
The Scorn of the Faceless People! (from Black Magic #2, Vol. 1, No. 2, Dec. 1950)
Up There! (from Black Magic #13, Vol. 2, No. 7, Jun. 1952)
The Woman in the Tower! (from The Strange World of Your Dreams #3, Nov. 1952)
A Rainy Day with House-Date Harry (from My Date #4, Jan. 1948)
20,000 Lugs Under the Sea (from From Here to Insanity #11, Aug. 1955)
Lenny Bruce (from SICK, Vol. 1, No. 2, Oct 1960)
Hello Bob:- Thank you for that :) It's of course a terrific line-up of tales. I'm not surprised, mind you, that I could have borrowed the book from my own library and forgotten the presence of Boys' Ranch stories in it. Neither Apache Justice or Remember The Alamo are anything other than good stories, but the collection has certainly stayed away from the pick of the run. A mixture, perhaps, of space limitations and a desire to save the Boys' Ranch crowd-pleasers for future volumes?
DeleteIve long being a fan of Boys Ranch; as a child I falsely believed it was a spin-off from that Spencer Tracy feature film which had a similar premise. Kirby really did hone his talents on this series, its intersected, measured points about the sometimes complicated sometimes easy relationships/friendships between boys are softly attuned here, giving what for its time [may seem a tad old-fashioned now, of course] a frankly authentic depiction of what boys are truly like. This was Lord of the Flies tamed down and given a more generational vein, the 'ranch' location inticing the cowboy movies which were so popular back then. Ive heard it theorized that Kirby felt 'toned down' when he moved to Marvel and its more conventional hero-fare, and Boys Ranch does feel like a watershed of sorts in his work; an era when experimental just meant trying out something and seeing how long it lasted, even if it rarely got the plaudits it deserved at the time. BR brings back some happy memories of childhood for me, even tho Im living in England and far from the hills these lads inhabited with their shifting feuds and their inevitable slip-slide back onto the path to righteuosness [think I mis-spelt that last word].
ReplyDeleteHello Karl:- It's always terrific to read such fond memories and opinions of books which I feel similarly positive towards. It's certainly far easier to believe that Kirby might have felt constrained by the super-hero genre and the Marvel Method after reading Boys' Ranch. The first 3 issues in particular, where he was taking direct responsibility for just about everything, were as you say incredibly fine books. Although there were comic strips a-plenty which were both popular and appealing to adults as mature product, I know of nothing in comic book form in 1950 which was the equal of Boys' Ranch. It's stories were what we'd know as full-length today - albeit in several chapters - and there were also wonderful Kirby double-page spreads as well. Most of it, it was adult material which spoke to a broad popular audience. Or rather, it attempted to reach such an audience. The product was there, but it didn't shift the units. What a shame. Boys' ranch was art as well as pop, action/adventure as well as character-based work; it featured qualities which today too often seen as opposing values. A terrible shame.
DeleteInteresting how Kirby and Jean Giraud/Mobius honed their skills while working on cowboys stories.
ReplyDeleteHello Cedric:- Indeed. It might even be argued that both did some of their very best comics when working in such a supposedly fixed and limiting form.
Delete